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Golden Goddesses

Golden Goddesses
Front Cover: Serena
Showing posts with label Kay Parker. Show all posts
Showing posts with label Kay Parker. Show all posts

Tuesday, December 16, 2014

The Golden Age Appreciation Fund launch -- First recipient: Kay Parker

 

Photo by Kenji
A few weeks ago, I was invited by Rialto Report's Ashley West to join him and veteran cult/adult researcher Mark Murray in establishing an ongoing fundraising initiative for classic adult film legends in financial crisis.  It is no secret that vintage erotic film luminaries were grossly underpaid during the years when the adult film industry was breaking new ground in every conceivable way, generating millions of dollars for the industry while negating to adequately renumerate those who put their names and faces on the line -- in front or behind the camera and on box covers. Today, many legendary fan favourites and stars of the blue screen are in a financial bind, struggling to achieve a quality of life as they continue to age.  Most recently, Ashley West spoke with Kay Parker and was astonished to learn she has found herself homeless and struggling to collect the downpayment and last month's rent, plus a security deposit for a place of her own.  Earlier this year, Rialto Report featured Kay in a full length podcast; it remains one of the most popular RR episodes.    It was decided that we would reach out to try to assist Kay during the holiday season, and hopefully raise money to assist with her new housing.
   To do this, we have set up The Golden Age Appreciation Fund (TGAAF), an ongoing initiative that will assist retired adult folks throughout the year. To launch our campaign, we are highlighting Kay's immediate need, and also making it easy for anyone who wishes to make a donation to her. Together we can help Kay get back into a place of her own.
   Kay is a sweet friend and a wonderful soul. Though she works part-time as a spiritual counselor, her work does not generate enough income to come up with the necessary funds to move.
   We are asking that you consider making a donation at the following link. This is a non-profit initiative and every penny donated to Kay will go directly to her.
http://tgaafund.blogspot.com/

   We intend to keep this fund drive open over the entire holiday season and it will run until Friday 9th January 2015. Please give anything you can - no donation is too small - and feel free to also leave your message to Kay with the donation. We will ensure that it is all passed on to her.

Thanks so much, and have a very Happy and safe Holiday Season. ☮

Sunday, March 9, 2014

Kay Parker: Goddess of Light

 


Kay Parker - Photo by Kenji
I've often said that one of the nicest things to have come from co-writing and authoring a book are the new friends I have met throughout the process. When developing a writing project, it's not something you purposely set out to do, but when you connect with someone on a deep level, it's a gift. I am fortunate and blessed to consider Kay Parker a dear friend. Since Kay and I first spoke in late fall of 2009, we have remained in touch via email, and we have also had a few opportunities to meet up in person in Los Angeles. As many of her friends and fans can attest, during her time as an actress, and since officially leaving the erotic film industry several years ago, Kay has been immersed in a personal spiritual journey that has enabled her to achieve a greater understanding of the universe, enhanced her intuitive spirit, and bestowed her with even greater wisdom. It is no surprise that Kay has incorporated her metaphysical knowledge within her ongoing work as a counselor and mentor, using her special tools to help guide, transform, and uplift those seeking insight, depth, and understanding. Using intelligence and grace, Kay instructs seekers yearning to understand how our past influences our present. Kay is a firm believer that love has the power to heal all emotional, psychological, physical, and spiritual maladies once people are willing to open themselves to new possibilities.  
     Recently, Kay shared a greeting of hope, light and love which can be viewed at her website: Kay Taylor Parker. Her powerful book, Taboo, Sacred, Don't Touch can also be purchased there as a digital download. Today, Rialto Report features Kay Parker in a brand new interview podcast you won't want to miss: Kay Parker - Rialto Report
     2014 promises to be another exciting and fruitful year for Kay Parker as she continues to embrace new opportunties while integrating ongoing, enriching experiences into her unique life. Soon, Kay hopes to share some very exciting news about an innovative project currently in the works, so please stay tuned.
     I am grateful to have had the opportunity to feature Kay in Golden Goddeses. As a treat for fans, and possibly others who are new to Kay and her extraordinary work, today, I am re-publishing excerpts from her chapter titled "The Conduit" which I posted on this blog a few years ago. Enjoy.

Born and raised in Britain during post World War 11, Kay Parker’s memories of her formative years in Birmingham are at times grim. As an asthmatic sufferer, Parker welcomed the occasional reprieve when her father, a Navy man, brought his family to the lush islands of Malta (meaning “honey sweet” because of its diverse bee population), where he was periodically stationed during her school days. At age twenty-one, Parker transplanted to New Mexico, “The Land of Enchantment,” where she was hired to work in an upscale boutique at the La Fonda Hotel in Santa Fe. Although Kay had excelled during her previous work experience as an au pair in Germany, and was fluent in the German language, she was ready to broaden her horizons. After remaining in New Mexico for a couple of years, Parker eventually found herself living in San Francisco at the height of the sixties revolution, and continued to expand her employment options which included managing a small rock band. In 1976, at age thirty two, the curvaceous natural beauty appeared in her first film depicting sex, and later gained notoriety for portraying a woman who embarked upon a sexual relationship with her adult son (played by Mike Ranger) in Taboo (1980). Kay believes that her sensitive approach to the subject of incest, in a highly acclaimed performance, was an empowering experience that has helped to facilitate immense personal spiritual growth and development. She does not subscribe to coincidence or accidents.

Kay Parker: "Taboo is the one film I am best known for which makes it ironic that it was an incestuous role. Again, obviously, I pondered deeply and looked at the prospect of playing that character from many different facets, and I had to deeply reckon within myself when I took the role because I had known women who had experienced incest. I knew how prevalent it was and that it is a very sensitive issue. First of all, we should make the statement, and this is the feedback that I have received from many individuals, is that people don’t take the storylines of these films seriously. However, for me it was a serious issue, and I looked inside and I talked to my guides and I said, ‘Why would I even consider this?’ And then I realized that somebody was going to do it so why not me? I could at least bring some consciousness and sensitivity to it. Now, a lot of individuals who have an issue, and who have the scars would say, ‘That’s a fine excuse'. All I would say is that I was guided to do it, and because of that I have an even bigger platform today to do my spiritual work and healing, so that was just a path that my destiny took me down. I’m totally responsible for it, and yet, that movie was a very defining point in time for a lot of reasons. I wrote about it in a chapter of my own book, Taboo, Don't Touch: An Autobiographical Journey Spanning Six-Thousand Years.
      My guidance for anyone considering entering the adult entertainment business has always been, ‘Think very carefully.’ It’s like with children; they’re going to do what they’re going to do. The more you tell them not to do something it’s more than likely their impetus to do it. It’s not an easy industry. Filmmaking is filmmaking. It’s grueling and it’s long and it’s tedious. If you’re going to do it, you’re going to do it, but women need to thing doubly or triply about it because it takes its toll on the emotional body. This is where a lot of people have that idea about women being objectified and abused. That’s where it comes from because if you take a young lady, a little babe, who has been scarred in some way, and put her in front of a camera, and you pump her full of ideas of success and stardom, it can be extremely damaging, in addition to the damage that’s already there. We have seen that and I think we still see it, but I think it is part of any industry. It happens in Hollywood.

     The career was a piece of my past that brought me to this point with wisdom and understanding. In terms of sharing it with neighbors that don’t know about that – it’s not necessary. Sometimes it comes up, but it’s like with my family in a sense. At that time, they would not have understood, and it wasn’t necessary to expose them to that. It was my path to go down and for me to deal with, not for them to deal with. I didn’t want to impose that upon them and would not impose it upon certain people. Then there are other people – a lot of individuals that I’ve counseled, and I’m speaking in terms of the male populous -- have known about the past. For some reason it has been a plus and I’m absolutely clear with people that my work is strictly spiritual counseling. If they have an issue and they want to heal and they’re willing to do the inner work, then certainly, I’ll do the work with them. If they’re coming to me thinking that we’re going to do some kind of hands on work, sorry. That’s not what I do. But there are times when just because of my past and because they know I’ve gone down that road, it somehow gives me an opening, that other therapists wouldn’t be able to attain.
      What I’m doing today is assisting in the uplifting of consciousness on the planet. That’s it, in a nutshell; anything that I can do and anyway that I can do it. God’s already using me to do this. I’m here to join the ranks of the other amazing souls on the planet who are working towards this end. I interact with some very profound individuals who are involved in global consciousness. I don’t believe that this planet, third dimensionally, will ever attain peace because the collective ego is still too involved. But, we’re moving toward a time of planetary ascension, meaning a dimensional shift, and, at that point, those who are spiritually ready and equipped will move forward and they will experience peace. It’s a good time to be alive – it’s not an easy time but it’s what we came to do."

Golden Goddesses: 25 Legendary Women of Classic Erotic Cinema,1968-1985 © 2012 Jill C. Nelson

 

Saturday, February 22, 2014

Golden Goddesses coverage by What Up Hollywood

The following is an article posted at What Up Hollywood which includes one hour of video footage from our Golden Goddesses reunion event at Larry Edmunds bookshop last October. The evening featured appearances by Ginger Lynn, Kay Parker, Rhonda Jo Petty, Georgina Spelvin, Kitten Natividad, writer Raven Touchstone and adult film historian William Margold. Huge, heartfelt thanks to What Up Hollywood for covering and taping this event, and posting it on your website and youtube. :)

 

Sex Sirens of the Swinging Seventies Sign in at Famous Larry Edmunds Bookshop in Hollywood

Devil in Miss JonesRemember all those great adult movies of the 1970s, like “The Devil in Miss Jones”? If you didn’t ever watch movies “like that“, better skip this posting. But if you ever wondered whatever happened to those stunning ladies of yesteryear that you spent so much time watching in your miss-spent youth, then you should have been at Larry Edmunds Bookshop when a bevy of stars from adult film history came in to talk about their careers and their lives.

Ginger Lynn
Ginger Lynn

A long discussion, led by author Jill Nelson, introduced 5 of what Jill calls “The Golden Goddesses”, the super stars of sex. Also on hand was Raven Touchstone who wrote screenplays for over 400 adult films. They all had actual stories, she insisted, although I have personally never met a guy who ever remembered much of the story line. The girls, yeah, they remember every luscious inch of them. Star Ginger Lynn remembers the hours she spent with Raven, creating the sex fantasies that made her films so appealing. Face it, you gotta have a script, a story that will tease, build tension, and then deliver the goods, just like any other movie. Raven Touchstone is the Queen of adult screenplay writers, with a boundless imagination.

Kitten Natividad
Kitten Natividad

The ladies signing Jill Nelson’s book “Golden Goddesses“, included Rhonda Jo Petty, Kay Parker, Ginger Lynn, Kitten Natividad, and the legendary Georgina Spelvin. Also on hand to speak was Bill Margold who writes the great back page “Cinema Seen” for LA X…Press. Margold’s reviews of adult films are a hoot, he has covered the sex industry for decades, and he is one of the most entertaining chaps in Hollywood. He knows everyone, writers, producers, directors, all the girls, the guys, and most of all, the stories. As Nelson points out, behind the camera, when the filming is done, these guys and gals are mostly regular folks, with all the same drama, happiness, and challenges that we all face in life. Well, maybe a tad more drama.

GoldenGoddessesFront200A lively crowd listened to Nelson read some excerpts from her book, stories about each of the ladies who were present. Questions came from the audience, and memories and laughter from the film stars. Also on hand was Jim Dawson, local author, and national film reviewer for Velvet Magazine. He is also a spokesman for XRCO, the X-Rated Critics Organization. His great book on Bunker Hill is a must read for anyone who is interested in Los Angeles film history.

So you missed the event on October 16th? Couldn’t come up with a good enough excuse to slip away from the significant other for a couple hours? No problem, just strap yourself into the What Up Hollywood time machine, and watch the entire event. Larry Edmunds still has copies of “Golden Goddesses”, so get your copy before you go blind. At least you’ll have your memories….

Click Here to watch the event directly on youtube.

Click Here to go to Larry Edmunds website and blog.


Tuesday, October 22, 2013

"Favorite Stars and Star Favorites"

L-R Kay Parker, Rhonda Jo Petty, Kitten Natividad, Jill Nelson,
Jeff, Ginger Lynn, Georgina Spelvin and Raven Touchstone
Last Wednesday, October 16, the Goddesses made their triumphant return to Larry Edmunds Bookshop in Hollywood to wow fans and share serious and funny anecdotal accounts of their former lives as Golden ladies of erotic cinema. The six women regaled the crowd with personal reflections, beliefs, thoughts and philosophies, and when each one was asked to name her favourite mainstream movie and describe why, the audience was surprised and delighted. The querie was posed by Peter C., a film enthusiast and writer. Afterwards, Peter penned an essay, a wonderful summation of the evening and book titled "Favorite Stars and Star Favorites" which I have copied and pasted below with Peter's permission. Thank you, Peter, for coming out and for being so gracious.
     Once again, I'd also like to officially thank Ginger Lynn, Kay Parker, Rhonda Jo Petty, Kitten Natividad, Georgina Spelvin (who was unable to join in the festivities last year) and Raven Touchstone for helping to make our intimate reunion evening one of the most memorable and sparkling events since the book's release. I'd also like to thank Emcee Bill Margold, veteran film director Bob Chinn, photographer Kenji, writer/photographer Matthew Worley, Ashley and April from the New York based The Rialto Report, Tom from Cake and Art for designing another spectacular creation, Jeff at Larry Edmunds Bookshop, and all of our friends and fans who came out to support and partake of this celebration. Please follow this link for more photos: Emmnetwork
     Without further adieu, here is "Favorite Stars and Star Favorites" by Peter C.
     
     'Though I met her only briefly at a recent book signing of Golden Goddesses, it was no surprise to learn that Jill C. Nelson, the tender-hearted author of an extraordinarily well written tome and somehow lyrical ode to 25 Legendary Women of Classic Erotic Cinema lists The Heart Is A Lonely Hunter as her all-time favorite “main stream movie.” Nelson, as it turns out, is a lot like Carson McCullers, the novelist who penned the 1940 novel that the film was ultimately based upon. Hunter was the first in a string of books by McCullers to give voice to the rejected, the forgotten, the maligned and the oppressed. Nelson’s 25 (six of whom were at the book signing with her at Larry Edmunds Bookshop) would easily fall into those categories – though those classifications, like most labels, are ill-deserved. John Singer, the Alan Arkin character in the film, is not what he is perceived to be – deaf – and no more – and therefore somehow unworthy of love. In Nelson’s stories about her stars of erotic cinema – there is more there - a whole lot more - to each of her stars. More nuance, more dignity, and more intelligence  – than meets the wide eyed observer. 
     Asking, “What’s your favorite movie?” goes a long way as a kind of shorthand to learn what values resonate with individuals. Rhonda Joe Petty, a one-time look-alike for Farah Fawcett, and still gorgeous at 58, claimed Mel Gibson’s Apocalypto as her favorite – which, if one spends fifteen minutes in her presence, one understands why. “The movie,” Petty said, “is about facing your fears.” Petty is a woman I would not want to cross. She is almost stoic, extremely self-possessed, and when she shared with the audience that, “People who are not OK with my past, are simply not invited into my house,” her tone made it clear that her life has thus far been lived without apology. She is one strong lady, who has obviously faced her fears.
     Also in attendance was Ginger Lynn, who at 50 was the youngest star there. Ginger is a terrific raconteur, and one of her stories was about not being able to find a man who had all the qualities that she required in a male– so - along with a favorite screenwriter, she dreamed up a fantasy – in the form of nine men, and then lived out her fantasies with each before the camera. Her life, at the time, “was about fun. And that was fun!” Ginger is cheerful, exuberant, and decidedly funny – as is her favorite film Arsenic and Old Lace. If one were to look at the poster of the screwball comedy, there is Priscilla Lane bellowing from over the shoulder of Cary Grant – and she might well have been yelling, “This is fun!” For my money, Ginger Lynn would have slipped perfectly into the Lane part.
     The Grand Dame of erotic cinema, Georgina Spelvin, who made the film The Devil in Miss Jones, a remarkable four decades ago, explained that Fantasia is her favorite movie, “Because it has everything in it. It is sheer energy. I could do without Mickey Mouse, but everything else about it rises above animation and it lives in a fantasy of movement. It was totally cutting edge. Nothing else like it had been done before.” Take out the Mickey Mouse reference, and one has a pretty accurate review for The Devil in Miss Jones. Georgina’s favorite film fits.
     Raven Touchstone is an accomplished photographer. When she reflected on her career in the adult film industry, and told of watching Ginger Lynn and Barbara Dare running lines in rehearsal, whilst sipping wine in a hot-tub, she found the actresses in repose to be so incredibly beautiful that Touchstone decided that monumental beauty was beyond words – and in that silent moment of innocent insight, realized that the photographic image was the only way for her to do justice to beauty. The heroine of her favorite movie A Tree Grows in Brooklyn relies on her imagination to capture beauty in much the same way.
     Kitten Natividad recounted her bland experiences as a girl in a sort of unremarkable early life. Then came a time when she “fell down the rabbit hole” and due to excesses that seemed like a good idea at the time, she struggled with drugs and alcohol, but eventually rebounded. Today, she is clean and sober – owns apartment buildings and has made a success in all things considered. Is seems like the ups and downs of Natalie Wood in Splendor in the Grass – Kitten’s favorite movie – would make sense in a “been there, done that” kind of way.
     The last actress in attendance was Kay Parker. Kay Parker is an exquisitely sensual, wildly articulate and mesmerizingly sincere individual who marveled at the full circle nature of screen celebrity in recounting her love, as a girl, for movie actor Troy Donohue which, as it turned out, was not unrequited.  When she finally met the aging star and told him how much she loved his movies - much to her delight - he told her how much he loved hers. Kay Parker has put her film past into a unique perspective –one that asserts “It is all about love, because the opposite of that is shame. And shame is the condition of being unlovable. And I reject that.” The chapter in Nelson’s book devoted to Kay Parker is called The Conduit – and it describes Parker’s contemporary career as spiritual mentor and transcendence counselor – as one that only a “faith in love” stalwart could embrace. Field of Dreams is Kay’s favorite film, which seems to underscore perfectly her ethereal - part fantasy figure – part earth mother – all woman - essence.
     Willliam Margold acted as unofficial Emcee for the evening. Margold, a raucous individual who is known to industry insiders as “Papa Bear,” and is famous as an archivist and adult film historian (and perhaps less famous, alas, for his extensive and honorable charitable work for adult entertainment veterans who have not fared well) told great stories of on and off set mishaps, legal kerfuffles,  and courage – particularly of the women on the panel, and others like them who disdained “the hypocritical morality,” of those “who dreamed of these ladies, but who would not admit that in public.” Margold, a bear of a man, was a kind of sheriff that night, and apparently has been for his last forty years in and around the adult film industry.  He comes across as a “come and get me, I ain’t going anywhere” character, who, in fact, stood toe to toe against would be agents of the law, when adult films were illegal, and the badge boys were looking to lock up men and women who dared to turn cameras on and take clothes off. It’s no wonder that Papa Bear loves High Noon. He’s the Gary Cooper of “X.”
     At the end of the day, Jill C. Nelson has written a lovely and fascinating book about beautiful women, erotic adventurism, social mores, adult entertainment, the movie business, sex and sexuality.
And it has nothing at all to do with “Porn.”'

Peter C.


Monday, February 11, 2013

Hustler Hollywood Footage

Monday, Monday. I am pleased to share this terrific footage recently sent to me from screenwriter, Raven Touchstone, who is also profiled in the book. Her videographer friend shot it on the evening of the Hollywood Hustler Book Launch. Thank you, Penny!

Click on the link above the image to view.

Golden Goddesses Book Launch Footage













Saturday, January 26, 2013

"Golden Goddesses" 2012 Book of the Year: Gram Ponante

Thank you to journalist Gram Ponante for selecting "Golden Goddesses" as one of the best adult-themed books of 2012: Best Books of 2012: Ropey Volley Awards. The following book review is excerpted from Ponante's piece on three selected books.

My favorite adult-themed books of 2012 had no shades of grey within them whatsoever; they were accounts of people who, if they had doubts, made bold choices anyway. Then there was my book, which is chock full of doubt.


I read a number of memoirs, How To books, and coffeetable tomes, but none were as useful or enlightening as Jill C. Nelson’s comprehensive and brilliant oral history Golden Goddesses: 25 Legendary Women of Classic Erotic Cinema, 1968-1985. It is a massive book, and the kind that equally encourages flipping between chapters as it does a front-to-back reading.
“Golden Goddesses” was conceived shortly after Nelson finished her exhaustive oral history of John Holmes, “A Life Measured in Inches.”
“I met many of these women when collecting interviews for the John Holmes book,” Nelson says, “and if (“Inches”) told many stories while explaining John’s, (“Goddesses”) is much more of a history.”
It is an amazing history, and one that is that much more significant by virtue of the subject matter. While people like Veronica Hart, Annie Sprinkle, and Nina Hartley have both the resources and resolve to tell their stories, many of Nelson’s interviews, especially as delivered through the filter of hindsight by people like “Taboo”‘s Kay Parker, “Aunty Peg”‘s Juliet Anderson, or Rhonda Jo Petty, would have likely never been told with such detail had Nelson not happened along.
Nelson, a low-key Canadian in her 50s, compiled this 900+-page tome over three years, and I have never encountered a more comprehensive detailing of the gleeful freedom of the porn lifestyle of the 1960s, 70s, and 80s as well as the repressive society that made it inevitable.
Petty speaks of getting bullied into a fisting scene.
“I let [the director] intimidate me because of where I came from,” she says. “When my father heard about the film, he threatened to break my arms and legs.”
Packed with more than 300 photos as well as a selected filmography of the profiled stars, “Golden Goddesses” is a must-have for porn fans as well as a compelling social history.






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